best wuxia movies

Moving in another direction entirely is Wong Kar-wai’s first effort at a martial arts film,  which had a legendarily protracted shooting schedule that spawned not only a comic parody of the same source material starring the same actors (Jeffrey Lau’s The Eagle Shooting Heroes) made in the hopes of recouping some of the costs of Wong’s film, but also one of the greatest movies ever made, Chungking Express, shot on a break from the editing of Ashes of Time as a way for Wong to try to clear his head. Cheng Pei-pei plays a highly-skilled warrior investigating the capture of her brother. These two films were Hu’s last great works, as he found financing increasingly difficult to scrounge together in the 1980s and his health worsened in the 1990s. Keeping the same group of stars (they would collectively become known as The Venom Mob in several more films together), Chang tells a typical kung fu story of defeat, practice and revenge, but with a supernatural twist (each hero is crippled in the first half of the film, only to turn their disability to their advantage in the second half, like a super-sized version of The One-Armed Swordsman). A widely encompassing term – literally translated as martial (wu) chivalry (xia) – what was made famous in the west as a subgenre of martial arts cinema, finds its roots in seventh-century romantic literature and poetry, evolving through hundreds of years of oral and written tradition. > best wuxia films best wuxia films Features... Film Lists; 20 Essential Films For An Introduction To The Wuxia Genre. For more movies like this, check out these action movies lists on Amazon Prime and Netflix Instant, as well as the Best Foreign Films on Amazon Prime and the Best Foreign Films on Netflix Instant.. Video 13 BEST Time Travel Korean Dramas. An international co-production steeped in melodrama, it’s not that it’s inauthentic exactly, more that its machine-tooled for mainstream crossover appeal. ( Log Out /  Picking up where its progenitor left off, yet superior in just about every respect, Swordsman II is a furiously paced wuxia epic par excellence. The film cycled through a series of directors, including Ann Hui, before ultimately being credited to Ching Siu-tung. The first half plays out in what would become one of the genre’s most iconic locations (an inn), as she meets an array of increasingly powerful villains. Directed by Ashes producer Jeffrey Lau, it’s a seemingly amphetamine-fuelled wuxia parody of unparalleled insanity. Hopefully, with the releases of restorations of Dragon Gate Inn and A Touch of Zen recently, it’ll see the light of day someday. Top Actors Add New Person. Movies. Earning him his 2nd Oscar, back to back. Strictly speaking, wuxia should probably be confined to stories of code-following traveling knights-errant, but genres are a fluid and conventional thing, especially in Hong Kong, where films regularly mash together comedy, action, romance, melodrama and horror elements into a single impure whole, and as such, stark lines are difficult to draw. It’s difficult to underestimate the influence Chang Cheh’s classic would have on the Chinese martial arts film. The earliest Wuxia films date back to the 1920s that feature sophisticated action choreography. Besides, you won’t find many other opportunities to see Tony Leung pretending to be a duck. Explore the history of film in list form. The cynicism may belong to Chang, but the furious kineticism and blood-drenched insanity of the choreography are entirely Tsui’s. At the other end of the joviality spectrum lies this two-part Jeffrey Lau farce. As far as I can figure out it’s only been screened twice at the MoMa last November and there’s no info on a possible home vid release I can find. Like his other films, a dense mise-en-scène envelops his hero (this one marked especially by tangles of spiderwebs); no one at Shaw Brothers made films as ravishingly gorgeous as Chor Yuen. Taking little from Louis Cha’s source novel beyond its solitary archetypes, Ashes of Time offers a temporally fragmented vision of lost loves, glinting blades and sand-blasted faces, all refracted through Wong’s singular prism of passion and longing. That lasted for a couple of weeks before the two famously controlling auteurs determined they could not work together and Hu abandoned the project. The kung fu film is newer and focuses primarily on hand-to-hand combat, it’s steeped in traditional fighting forms and there’s a general emphasis on the physical skill of the performer: special effects are generally disdained. 1994- Forrest Gump- One of the most iconic movies ever and Hanks performance will be remembered forever. There is any chance that you will make 30 Essenial Kung Fu Movies or something like that? Refocusing the wuxia genre inward, Wong takes the basic plot elements of Louis Cha’s novel and reframes them in the medititive, elliptical style he’d already become famous for with his breakthrough second film Days of Being Wild. Movies. A Touch of Zen (1971) Not only one of the great wuxias but one of the great Chinese films, King Hu’s magisterial, three-hour-plus epic A Touch of … Jimmy Wang Yu and Lo Lieh play rival swordsman who are also rivals for Cheng’s affection. Calendar; 2018/2019 Upcoming Chinese Wuxia/Fantasy Shows. His violent period piece Last Hurrah for Chivalry represents one of his better earlier efforts, offering more in its rehearsals for the thematic and aesthetic tics that would come to define his mature style than it does in its by-numbers narrative. The best wuxia dramas IMO are those from the 80s-90s. The prettiness is grafted onto an uneasy story, one that seemingly argues in favor of totalitarianism for the sake of internal peace. What Are Wuxia and Xianxia? Director King Hu. For Hong Kong gangster movies, please check out my other list, The Best HK Gangster Movies.For other Chinese-language movie genres, please throw an eye here, The Best Chinese-Language Movies. The Blade is his grimy, brutal update of Chang Cheh’s One-armed Swordsman, clearly made in a bid to reclaim his wuxia crown from Wong Kar-wai in the wake of Ashes of Time. Wuxia was introduced to the Hollywood studios in 2000 by Ang Lee's Crouching Tiger, Hidden Dragon. Based in a centuries-old genre of Chinese literature, the wuxia martial arts movie takes place in a world of swords, sorcery, chivalry and romance. While he was as it long before the American upstart came on the scene, Tsui Hark definitely shares something with Tarantino in his contemporary retooling of genre cinema to his own singular specifications. Best of the best Chinese Wuxia dramas that will statisfy your c-drama addiction Not only one of the great wuxias but one of the great Chinese films, King Hu’s magisterial, three-hour-plus epic A Touch of Zen was the first of its kind to take a prize at Cannes. But by the decade’s midpoint, wuxia was making a comeback, led by a series of films directed by Chor Yuen and adapted by screenwriter Ni Kuang from stories by Taiwanese novelist Gu Long. Killer Clans is a typically complex tale of intrigue and in-fighting among sword-wielding gangsters, an almost-noir mystery plastered over a meditation on loyalty and sacrifice. Tsui imported Hollywood technicians to develop the effects for the film, and it set a new standard for Chinese cinema. Following Ang Lee's footsteps, Zhang Yimou made Hero, targeted for the international market in 2003, and House of Flying Daggers in 2004. 14. Encounters of the Spooky Kind (Sammo Hung, 1980). Learning an entirely new fighting technique thanks to an old, mangled manual, he carves a sad swath of destruction through his enemies. Today I would like to recommend 50 top wuxia novels that you must definitely try to read. His 13 sons, all generals, help recapture the capital city, but not without some in-fighting and conspiring with imperial agents. Featured. Yet in keeping with his adoration for the Beijing Opera, Hu’s is a cinema of movement. Around this same time Tsui and Jet Li revitalized the likewise moribund period kung fu genre with Once Upon a Time in China, and in the series of films that followed it directors like Ching and Yuen Woo-ping freely mixed wirework with traditional kung fu performances, melding the two forms in films like The Tai Chi Master, the two Fong Sai-yuk films and Iron Monkey. A director to rank alongside the greats, Hu’s influence was far-reaching, and he was as in command of the exquisite compositions of his widescreen vistas as the Hawksian group dynamics of his Inn trilogy’s confined spaces. Based on actual events, or at least some of the traditional literary versions of them, Chang expands wuxia from the personal psychology of the lone heroes in his early films to an epic war movie scale. Hand-picked. A scholar goes to work in a remote location, only to find himself the pawn of dueling spirits hoping to steal his work for their own benefit. Change ), You are commenting using your Google account. It didn’t end well, with the legendary director barely lasting a fortnight on the project, the film quickly becoming sullied by extensive reshoots and the patchwork effect of its five subsequent directors. 12. Last Hurrah for Chivalry (John Woo, 1979). Other than those, I will include and put Legend of Condor Heroes 1982 on top of the list of wuxia dramas. Jet Li plays an itinerant swordsman, one his way into monastic seclusion who gets sidetracked by a mysterious woman. Change ), You are commenting using your Facebook account. With fight sequences by the great Sammo Hung and jaw-dropping photography from Christopher Doyle, it’s a hyper-sensory, elemental trip of a film, grounded in genre and elevated in style. I actually saw it about two years ago. Utilizing digital effects on a massive scale, Woo’s story of brotherhood in arms plays out across a vast landscape, in a film as concern with the intricate psychology of generalship as it is the spectacle of violence. Hu’s reconceptualisation of martial arts cinema challenges and subverts convention, as much through his orchestration of movement and mise-en-scène as through his aesthetic and philosophical enquiries. Capitalizing on the success of Come Drink with Me, the Shaw Brothers snagged Chang Cheh to direct a sequel, with Cheng Pei-pei reprising her role but with an entirely new cast of co-stars. Feeds Lists Forums Contributors. Bursting on to the scene in the late 70s was a group of directors moving from television to movies and reinventing Hong Kong cinema along the way. The 20 Most Complex Movies … The same went for its early cinematic incarnations, the Chinese government banning production in the 1930s as a means of protecting the young against moral corruption. But still it is the individuals who stand out: David Chiang as the unjustly accused general who nevertheless (and pointedly ahistorically) remains loyal to the end and Ti Lung as a general who defends his brothers’ retreat, standing alone on a bridge against a whole army. Chang brings a morbid psychology to the genre, obsessed with death and honor, his films are bloody and operatic. Taking the pictorialism of wuxia one step further was mainland director Zhang Yimou in this pair of crossover hits. Calendar; Best Wuxia or Xianxia drama. The Foreigner (2017) In Hollywood, Jackie Chan … The choreography is as beautifully synchronized as it is grueling to witness. They did so with the use of wires, trampolines, and sped-up camera tricks. Then there is Three Gallants and Five Horsemen, Heavenly Sword and Dragon Sabre, and so many more. Gangsters, superheroes, schoolkids, lovers, slaves, peasants, techies, Tenenbaums and freefalling astronauts – they’re all here in our countdown of cinema’s best movies since 2000 The Venoms are all brilliant athletes, and their fight sequences stretch to interminable length, the percussive punches and kicks beating the audience, as much as the bad guys, into submission. Fill in your details below or click an icon to log in: You are commenting using your account. Silly in all the best ways, like many of Hung’s films there’s nonetheless an underlying darkness, a sense of unease with the world of violence. Dissatisfied with the original release, Wong tinkered with it and released it again in 2008. It’s as close as wuxia has yet come to a Sam Peckinpah film. 1995- Toy Story- Arguably the best animated movie of all-time. It has since broadened into television shows, comics, video games, and of course, films. The plot is good, it is full of action and thrilling adventures. 22. A Chinese Odyssey (Jeffrey Lau, 1994). I bet you will never lose interest as one after other interesting events keep on happening which keeps you completely engrossed in the novel. 10. Crippled Avengers (Chang Cheh, 1978). Vote for your favourite wuxia/xianxia/xuanhuan Chinese dramas. 9. The Sentimental Swordsman (Chor Yuen, 1977). 11. Legend of the Mountain and Raining in the Mountain (King Hu, 1979). Subscribe now for exclusive offers and the best of cinema. The types are the same: Jiang Wu’s good man pushed into violent reprisal by the state’s criminality, Zhao Tao’s haunted woman seeking revenge on the men who’ve exploited her, Wao Baioqiang’s wandering warrior, but the temporal codes are all mixed up. Chang Cheh and Lau Kar-leung collaborated on a cycle of Shaolin films, with Lau eventually becoming a director in his own right. People. Despite the wealth of talent involved on both sides of the camera, there’s little escaping the fact that Crouching Tiger, Hidden Dragon is essentially the Titanic of modern wuxia cinema. The following is a list of 30 of the genre’s highlights, taking a reasonably expansive view of generic boundaries and arranged in chronological order: In the mid-1960s, the Shaw Brothers studio shifted emphasis from brightly-colored musicals to brightly-colored action films, launching an explosive transformation of the Hong Kong film industry the effects of which are still being felt today. Come Drink with Me wasn’t their first wuxia, but it was their first great one. Or rather, the type isn’t new, but is instead a rediscovery of the scholar-heroes of King Hu’s greatest films. Drawing from both Chang Cheh and Chor Yuen, and running in parallel with Johnnie To’s 1980 debut The Enigmatic Case, The Sword plays up the nihilistic impulses in the competitive drive to the be best fighter in the world. A historical epic set in the late Tang Dynasty, the Emperor invites a Northern barbarian chief to help put down a domestic insurrection. The tension is better explored in his kung fu films (Pedicab Driver and Eastern Condors, for example), but this one’s final image is one of Hung’s most strikingly brutal. A couple of children are on the run from sinister Ming Dynasty agents and an array of heroes gathers to protect them. Offering a directing gig to King Hu, whose career had since fallen into the doldrums, Swordsman (1990) was Tsui Hark’s opportunity to both work with and pay homage to his hero. A journey into enlightenment steeped (as its title suggests) in Buddhist philosophy, it was originally exhibited in two parts, the stunning centrepiece of its bamboo forest battle straddling the two. It’s quite simply one of the best war movies ever made. 29. Journey to the West: Conquering the Demons (Stephen Chow and Derek Kwok, 2013). If you want to watch true Wuxia, don’t watch these Hollywooded versions (even when made in China). There are tons of Wuxia TV series during the 80’s, 90’s and 00’s. Synopsis: A story of a student from the righteous sect who ventures into the martial arts world and befriends people, both good and bad, in his journey to become … Learn how your comment data is processed. 30. The Assassin (Hou Hsiao-hsien, 2015). Making deft use of computer effects (the replay of the opening fight sequence is particularly spectacular, as Kaneshiro sees it vastly differently than we did), the action is very well done, but the character-based exploration of the irreconcilability between the moral codes of the jianghu and the modernizing world make Chan’s film truly special. Watch the series that are available, including Legend of the Condor Heroes (2017) a great adaptation of the 1958 novel written by Jin Yong. See more ideas about drama, chinese movies, drama movies. The two contemporaneous films on this list adapted from Louis Cha’s epic Condor Trilogy couldn’t be more different. So protracted was the production period of Ashes of Time, that not only did Wong Kar-wai find time to produce Eagle Shooting Heroes, he also managed to squeeze a masterpiece into a break in editing in the form of Chungking Express (1994). More famous as an early version of his late-80s cop movies, Woo’s Last Hurrah is a conscious homage to Chang Cheh’s early 70s swordplay films, with a pair of killers for hire finding solidarity and friendship in arms as they struggle against a villainous gang leader. The missing link between wuxia and the “heroic bloodshed” cycle of the 80s and 90s cop/gangster films, Woo transmutes the nihilism of Chang’s bloody self-sacrifices into swooningly romantic redemption stories, the difference between attachment and ambition as the cause of suffering and brotherly love as the solution to suffering. Wuxia is a much older form, based ultimately in the long tradition of Chinese adventure literature, in classic novels such as The Water Margin or Journey to the West, or more contemporary works by authors like Louis Cha and Gu Long. Lau would keep Chang’s early wuxias grounded in realism, but would really come into his own as a choreographer in the mid-70s with Chang’s cycle of Shaolin kung fu films. 4.3 out of 5 stars 198 At their best, the new films repackage Tsui’s defiant anarchist spirit within the comic book aesthetic of the 21st century action film. No one on this list can touch Hu at his peak, and A Touch of Zen’s upcoming big-screen outing as part of the Chinese cinema season (given the inadequacy of its current home video transfer) is simply unmissable. Giving each section of his puzzle narrative a distinctive hue (grey, blue, green, red and yellow), and slowing the action down to almost-still images, the film is as much a response to the hectic antics of Tsui Hark and Ching Siu-tung as it is a continuation of Crouching Tiger‘s style. Wuxia is a chinese genre of literature concerning fantasy swordplay, chivalry, and romance popularized by authors such as Jin Yong and Gu Long. Either I need to watch a wider variety of them, or the evolution of the genre is more dependent on choreographers and star personae than the types of stories they tell. Find out about international touring programmes, BFI Film Academy: opportunities for young creatives, Get funding to progress my creative career, Search the BFI National Archive collections, Read research data and market intelligence, Search for projects funded by National Lottery, Apply for British certification and tax relief, Get help as a new filmmaker and find out about NETWORK, Find out about booking film programmes internationally. The earliest wuxia films date back to the 1920s. The three team-up to fight villainy, but ultimately Wang Yu is undone by his mastery: his monomaniacal quest to be the greatest swordsman in the world proves his undoing. This character, significantly named “Asia the Invincible”, is one of the most famous in all of Chinese cinema. Before kung fu, there was wuxia. But he also pioneered the horror-comedy-wuxia subgenre, with this 1980 gem. Each of the recommendations included here is available to view in the UK. After a string of darkly subversive films which generated more controversy than box office, Tsui Hark went mainstream, first with a gangster spoof for the Cinema City studio, then with this special effects extravaganza. These modern knights-errant are not heroic, they’re tragic. There’s an undeniable elegance to Ang Lee’s direction even through the film’s amorous longueurs, and while the eyelid-threatening, pan-pipe moods of Dun Tan’s score often invite the occasional blackout, Yuen Woo-ping’s fight choreography is suitably timed to pull one back from the brink. He dies, but like all Chang Cheh’s greatest heroes, he dies standing up. Sammo plays the “boldest man in town” who gets mixed up with the undead and some competing Taoist priests. This 2013 film though has a surprisingly complex soul, a genuine interest in the Buddhism that motivates its main character: pointedly not played by Chow himself. Feeds Lists Forums Contributors. From Bruce Lee kung-fu flicks to Wong Kar-wai’s tales of romance. Comedian Stephen Chow stars, and it’s the best of a series of action comedies he made throughout the first half of the 1990s. He has the sole credit on the sequel, and it’s this film that is the much more well-known one. Tony Leung and Takeshi Kaneshiro play generals planning the defense against a massive invading northern army near the end of the Han Dynasty. The new girl in town turns out to be a warrior on the run, and the scholar soon (well, a third of the way through the three hour movie) finds himself planning the defense of the castle against an invading band of corrupt soldiers. I’ve thought about doing a kung fu one, but it would pretty much just be a bunch of Chang Cheh and Lau Kar-leung movies, followed by a bunch of Sammo Hung, Jackie Chan and Jet Li movies. 1. Wuxia means “martial art hero”. Best examples would be Ashes of Time by Wong Kar Wai and Hero by Zhang Yimou, and Crouching Tiger, Hidden Dragon by Ang Lee.. Then in next tier we get the big sprawling epic like Red Cliff by John Woo or popcorn ones like Iron Monkey by Yuen Woo Ping. All rights reserved. Hanks was the perfect choice for the voice of Woody. Featuring some of Yuen Woo-Ping’s most sublime martial arts choreography, it went on to win four of its ten Academy Award nominations and remains the “Titanic” of wuxia movies! Resolved to retire from the world of violence, he is sucked back in by the need for revenge after that same master is murdered. Reign of Assassins is OK. The best of Chor Yuen’s mystery wuxias stars Ti Lung as a hero haunted by past losses who is mistaken for killer by a local mob. Its heroes follow a very specific code of honor as they navigate the jianghu, an underworld of outlaws and bandits outside the normal streams of civilization. Utilising his cast for a quick shoot during production downtime on his more serious-minded adaptation, Ashes of Time, Wong Kar-wai intended Eagle Shooting Heroes as a means of damage limitation when his protracted main project began spiralling over budget. A medieval post-apocalyptic story about the return of magic to the world, it’s set in the bowels of a doomed castle, its residents apparently the victims of carnivorous flying insects. I’ve been using it as the backbone of my own exploration of the genre. If you’re familiar with the work of the great Taiwanese filmmaker Tsai Ming-liang, you’ll have caught snatches of King Hu’s wuxia masterpiece illuminating the fumbled passes of a picture palace’s dying days in Goodbye Dragon Inn (2003). Wuxia films often incorporate fantasy elements, using special effects to allow their heroes to fly, shoot concentrated chi energy out of their hands (or eyes) and in other ways violate the laws of physics. Crossover it certainly did, winning four of it’s 10 Oscar nominations, even if it famously failed to set the box office alight with Chinese audiences. I think the general expectation from critics is that best wuxia movies are arthouse-like, atmospheric and poetic. Woo doesn’t spare on the claret, his slow-mo-enhanced sword fights and early take on notions of honour and duty prefiguring his symphonic elevations of violence to come. The 30 Best Movies of 2017. Registered charity 287780. Told in long, lush and languid takes, the story of a woman trained to kill who decides she’d rather not paints a dense portrait of the intrigues and buried emotions of the late Tang Dynasty. The plot is somewhat knotty, though not nearly as dizzying as Chor Yuen’s late 70s mysteries, with all the exposition conveyed in dialogue while all the emotion lies under the surface, in images and gestures, the conflict between inner and outer selves erupting in spasms of lightning-quick violence. So, when BFI Southbank celebrated a Buddha’s Fist-ful of Chinese genre classics in 2015, we took to the treetops to seek out 10 sword ’n’ sorcery gems from the wuxia genre. Halfway between kung fu and wuxia stands this follow-up to Chang’s hit mystery film The Five Deadly Venoms. House of Flying Daggers is a pure romantic melodrama, largely nonsensical in plot, the sins of which are forgiven for the sake of the sheer gorgeousness of Zhang’s images, and that of his cast (Zhang Ziyi, Takeshi Kaneshiro and Andy Lau). Community. The action was choreographed by Sammo Hung, but Wong and his cinematographer Christopher Doyle filter and smear it, slowing it down to flashes of color and light, movement for its own sake. Taiwanese filmmaker King Hu’s name appears multiple times on this list, and for good reason. Jimmy Wang Yu plays the eponymous swordsman, a terrific fighter who suffers his grievous injury at the petulant hands of his master’s daughter. Top Movies Most Popular Movies Newest Upcoming Reviews Recommendations. By the end of the Come Drink with Me shoot, the famously independent-minded Hu had enough of working with the Shaw Brothers and left the colony for Taiwan, in hopes of building a film industry there essentially from the ground-up. Hero (2002) Zhang Yimou’s “Hero” starring Jet Li, Tony Leung Chiu-Wai, Maggie Cheung, Chen Daoming, Zhang Ziyi and Donnie Yen is perhaps the zenith of all the previous films in this list. Following the phenomenal success of first Jimmy Wang Yu’s 1970 film The Chinese Boxer and then the quartet of Bruce Lee smash hits, the wuxia genre was displaced by the kung fu film for the first half of the 1970s. Zu: Warriors from the Magic Mountain (Tsui Hark, 1983). With the heart of one of his more traditional melodramas (lovers kept apart by social codes they don’t necessarily understand but nonetheless feel bound to) melded onto a series of spectacular action set pieces in a wide variety of styles, the film is a perfect distillation of wuxia for a Western art house audience. Any attempt to follow the film’s plot proves an exercise in frustration, yet so manically unhinged is its every sequence, it’s impossible not to get swept along by its effervescent pledge to stick two fingers up to every wuxia (and cinematic) convention. Matthew Thrift Updated: 22 January 2018, noun. It sparked a whole series of folkloric romances, culminating with Ronny Yu’s gorgeous 1993 film The Bride with White Hair, with Leslie Cheung and Brigitte Lin, and Tsui’s own Green Snake, with Maggie Cheung and Joey Wang. He’s right: Yen is a former gangland killer who has escaped and attempted to reform his life, but Kaneshiro’s investigation both confronts him with the prospect of imprisonment as punishment for his past crimes, as well as raising his profile such that his former compatriots (led by no less than Jimmy Wang Yu) are able to track him down. Sammo Hung primarily worked in the kung fu genre, showing off his surprising athleticism and that of his co-stars, most famously Jackie Chan and Yuen Biao. It may not finally be Zhang’s greatest achievement, but as a feast for the senses it sees him operating at the top of his game. This wuxia list was treasure for me, so many great titles, thank for that! Featured. With the first Swordsman film, Tsui Hark attempted to bring King Hu back into the Hong Kong mainstream. People. In what remains to this day the highest-grossing foreign language film in US box office history, Taiwanese-American director Ang Lee fashioned a conscious homage to the films of King Hu with a first-rate cast (Chow Yun-fat, Michelle Yeoh, Zhang Ziyi, Chang Chen and Come Drink with Me‘s Cheng Pei-Pei), career-best choreography from Yuen Woo-ping (who had the year before become internationally-famous for his work on The Matrix), and all the lush locations and state-of-the-art effects possible in a Hollywood-China co-production. My all time favorite wuxia movies, in no particular order. The comic elements and hints of steampunk are turned up to eleven in Stephen Fung’s tremendously fun Tai Chi Zero and Tai Chi Zero, the best non-Tsui iterations of this new CGI-driven wuxia. Bruce Lee and Jackie Chan are its most famous practitioners and Lau Kar-leung its most important director. Inspired by Sam Raimi’s Evil Dead films as much as anything else, the film is a near perfect blend of horror, comedy and romance. 23. Crouching Tiger, Hidden Dragon (Ang Lee, 2000). Wuxia dramas often tell adventures of martial artists and they are popular in Chinese-speaking communities around the world. 18. A Chinese Ghost Story (Ching Siu-tung, 1987). The film made a star out of leading man Jimmy Wang Yu, and while his acting chops were never going to turn him into the next James Dean as Chang had hoped, the film’s many sequels and spin-offs still saw him become an icon of alienated youth in his native China. Of the movies that have explored this idea, the two most potent are probably Lau Kar-Leung’s Shaolin Challenges Ninja and this film, the directorial debut of Ching Sui-Tung (who also directed the Chinese Ghost Story trilogy and co-directed much of the Swordsman trilogy). Lau’s best work is probably the unrelated A Chinese Odyssey 2002, where, freed from Chow, he gives Tony Leung and Faye Wong one of the decade’s best romances. Like Sammo Hung, Yuen is better known for his work in the kung fu genre, but this 1982 film is arguably the greatest movie ever made about Taoist magic. I really like this list but it’s really long. It’s a riotously camp extravaganza like little else, and if you make it as far as the scene in the cave with the gorilla, the dinosaur and the parrot, you’ll know that resistance is ultimately futile. ) said: be thankful for second chances, 1994 ) exclusive offers and the animated! The world Flying Daggers ( Zhang Yimou in this pair of crossover hits Lau Kar-leung ’ s name multiple. The sake of internal peace times on this list, and of course films! Fighters ( Yuen Woo-ping, 1982 ) follow-up to Chang ’ s epic Condor Trilogy couldn ’ t be different... Firstâ Swordsman film, and it ’ s quite simply one of the top 10 best series. 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